
I've orchestrated some of my favorite bits from the Mordake work-in-progress and the
SFCCO is presenting them next month, the 15th of September 2007, at
Old First Concerts. It will be a primarily instrumental suite from the piece, but it does use a bit of a
cylinder recording of the
Prologo from Pagliacci by Antonio Scotti and also a manipulated recording of a snippet of the text by my friend
Diana Pray. In the eventual production, it is believed that the Edvard Mordake character will listen to opera cylinder recordings from time to time, sometimes old and sometimes new. One thing nice about the old recordings is that the mix is so extreme in the direction of the voice that it's pretty easy to drown out the original orchestration and replace it with one's own.
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