Since Jesus was assumed bodily into heaven, there aren't many bits of him available to venerate, but a lovely umbilical cord reliquary is just a block up from our Paris Apartment at the Cluny (see to the right: De Umbilico Domini Jesu Christi) and of course there are the many pretenders to the præputium scattered about Europe.
Yesterday's adventure was being allowed into the atelier and other sancta sanctorum of the Chateau de Versailles by Lynne's friend Laurent, a peintre décoratif who has the magical key that lets you through any door at the place. And, as a sign of special affection and respect, our friend Emily the gilder was given a large and faintly odorous piece of rabbit skin glue by one of the master gilders there, a two year supply for and a necessity for the lengthy but infinitely superior water gilding process. Whillikers, they use a ton of the stuff there to coat most every surface with gold and more gold, dogs of gold, arrows of gold, shields of gold, helmets of gold, and especially the golden rays of the sun to glorify the sainted King Louis, Le Roi Soleil.
And today, took a pilgrimage to IRCAM to visit Michael Fingerhut to talk about digital libraries and music information retrieval and life and death and get the ten dollar tour of the place, a place of my dreams for so many years, underneath the Place Igor Stravinsky, imagined as a place with stone steps worn by so many knees. Discovered today that Gérard Pape is director of CCMIX (Xenakis's UPIC) and have tried to get in touch but no luck yet. We corresponded a few years back when we found we had both written operas on Max Ernst's A Little Girl Dreams of Taking the Veil. I haven't heard it and I don't believe he has heard mine. Ah well. In trying to find Gérard's address, discovered that Matt Heckert had also considered an opera on the same book.