The latest on She Who Is Alive

We have finished filming about a third of the She Who Is Alive^† opera film so far, the last scene filmed being the end of the movie, a behind-the-scenes shot with me as wannabe director seen here. The wonderful Laura Bohn, an actor so utterly fantastic in the piece, bravely agreed to go up in a plane that the pilot Chris Prevost has been flying for forty years and which has coughed and sputtered reliably into life since the nineteen forties. 

The light was surprisingly favorable, and we were able to do many film-y things: night-for-night, evening-for-dawn, day-for-night, etc. And those wonderful shots of flying in a plane when it is not actually flying at all, the wind whipping the hair of the actors as they sing amiably to each other over a deafening roar. Actually, I should point out that Laura hadn't quite decided to go, but the sun was setting (aka rising) and Pilot Prevost suddenly took off with her in the front passenger seat, almost blowing to the ground Heath Orchard and his very fancy 6K Sony Venice love-of-his-life camera in the surprisingly powerful prop wash. 

When filming, one is able to see the scenes again and again, and one soon notices that the adorable Bradley Kynard is really pretty creepy, and his character is the perfect spy/aggressor/victim, a foil against which Laura could be both seducer and stone-cold dealer of death. 

^†Dimmi pur, prego, s' tu se' morta or viva!" / "Viva son io e tu se' morto ancora - Petrarch