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My good friend
Jay Cloidt has been mixing the Daphne recording. He's mixed everything of mine since I think the
Missa Notkeri Bulbuli. It's sounding lovely. I'm not sure what to do with these German-language opera recordings. I feel a need to have them as beautiful documents of the music and the way I imagine the music, but I doubt my typical English-speaking fans will enjoy them as much as they could, and I don't have that many contacts in German lands outside of those that commissioned the operas. It's too bad one can't have subtitles floating in space while listening to an audio recording.
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