Sunday, June 10, 2007
Let's take a moment to consider one of my favorite paintings. In the collection of the artist. I have a few of Amy's prints above my piano just below Vera where I meditate on them while I work. In a quid pro quo, she at times listens to The Bed You Sleep In in between the blues and the hokum when she is working. It makes me happy to think that, possibly, I've left a small impression. Maybe a brush stroke that took a small turn to reflect a particularly lovely note on the viola, maybe a color that ended up a slightly darker hue as a static sad sawmill loop sounded.