Showing posts with label production. Show all posts
Showing posts with label production. Show all posts

Wednesday, July 6, 2016

UKSUS 2016 announced!

UKSUS

Aug 30
Tue 8pm
   Aug 31
Wed 8pm
Sep 3
 Sat 8pm
Sep 4
 Sun 2pm
Oakland Metro Operahouse, 522 2nd Street, Oakland CA
TICKETS: UKSUS.ORG

Directed by Jim Cave • Conductor Bryan Nies
Design Lynne Rutter

Starring 
Timur Bekbosunov • Laura Bohn • Nikola Printz
Bob Ernst • Roham Sheikhani

accompanied by the orchestra
Beth Custer • Rob Wilkins • Joel Davel • Diana Strong
John Schott • Ela Polak • Lisa Mezzacappa
.

 
A phantasmagoria of delights, the music jazzy, racous, but bitterly sweet,UKSUS is the latest by Erling Wold, composer of Certitude and Joy, A Little Girl Dreams of Taking the VeilQueer, and Mordake. 

UKSUS is an autobiography of Daniil Kharms and the OBERIU in the Soviet Union of the 1930s, a narrative told through their stories and brief lives, as the OBERIU - The Association for Real Art - maintained their love of words and nonsensical art to their deaths in Stalin’s Great Purge, Kharms starving to death in a psychiatric hospital in 1942 after his arrest at the hands of the NKVD.

Kharms was known for decades in Russia as a writer of books for children, even though he hated children and imagined their painful deaths, until his adult works, secreted away by a friend, were rediscovered and reclaimed by a new generation of troublemaker artists who have run afoul of the authorities. Pussy Riot claimed the OBERIU poets, saying they "remained artists until the end, inexplicable and incomprehensible, and the librettists, artistic descendents of the group, met working in the Moscow theater of Kirill Ganin, who himself was arrested for artistic hooliganism.

Oakland Metro Operahouse is about a 20 minute walk from the 12th Street BART station, and there's a lovely parking garage just across the street.

Other questions: uksus@erlingwold.org 


       

Friday, February 24, 2012

große Oper in zwei Aufzügen!

I've come to the decision that my next production will be Die Zauberflöte von Mozart. This production will be identical to the original Die Zauberflöte, that is, the theatrical work written by Emanuel Schikaneder (see program to the left), the triumphant drama, and will be absolutely true to it in every respect, including all the words and instructions, characters and costumes, and will, as did the original, support the triumph of enlightened absolutism oner the evils of the obscurantists, most notably personified by the Q of the N, Maria Theresa Walburga Amalia Christina. In sooth, in a quest for an absolute and a somewhat mercurial perfectionism, I have ordered my production assistant, the Rt. Hon. Mr. M___, to  clone a copy of the Empress Consort (Holy Roman Empire) and Queen Consort (Germany) from a bit of bone marrow, a bit that I surreptitiously secreted from the Kapuzinergruft below the Capuchin Church on my last visit to Vienna, a trip whose necessary cover story was the yearly celebration of the new wine – the Sturm – but whose true raison was assumed through my intimate knowledge of the intimate pressings of the Masonic Temple Prostitutes, and thus realized by acts of which I may not be proud but were necessary nevertheless, in the service of art and its bounties.

Well, OK, identical in all respects except for - I suppose it goes without saying - the replacement of the music, admittedly a hoary and bromidic element of the great work. I know that my adherence to the text and the meaning of the work may seem fetishistic, but truths are truths and thus must be given respect.



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